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He was seated on the aisle, midway through the theater, wearing a blank T-shirt, dark pants, and a mildly intimidating beard. The room was only large enough to accommodate about 75 people, and there were 22 in the audience. “You got it,” I said, and they let me in. A pair of ushers stood outside the theater’s door, and one gave me a very thorough scan with a handheld metal detector while the other reiterated his upstairs colleague’s edict about photography. “Gotta make sure you’re over 18 so you can see some of the stuff they’re showing.” Oh right, Nymphomaniac! Another ticket-taker right next to him gave me a ticket from one of those rolls you can buy at a party-supply store, told me very sternly that photography and phone use were strictly forbidden, and pointed me toward a downstairs theater. “I’m not really sure who that is,” she replied.Ī ticket-taker asked me to show him some ID. I told her Shia LaBeouf was screening all of his movies at the theater, and that she could go see them for free. An elderly woman was at the snack counter, interrogating a sleepy employee about whether the theater would ever fix “those horrible, uncomfortable seats.” I asked her if she knew about the marathon. There was a smattering of people in the lobby, none of whom seemed to be there for #AllMyMovies.